Story by Andrew Russell

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Pittsburgh Ballet Theatre Artistic Director Terrence Orr has overseen nearly 400 performances of “The Nutcracker” in 15 years, ensuring each one is unique. Orr constantly seeks innovation, drawing inspiration even during the 26th performance of a season to enhance future shows.

Leading the company for two decades, Orr's remake of “The Nutcracker” over three years infused it with Pittsburgh flavor, set in Shadyside with nods to local landmarks. While maintaining the ballet's essence, Orr continually refines it.

With 150 dancers, 210 costumes, and 26 annual performances, Orr keeps the cast engaged by rotating roles, ensuring freshness. This year's shows run until Dec. 27.

Backstage chaos precedes each performance at the Benedum Center. From nervous chatter to last-minute adjustments, the energy shifts to focused intensity as the music begins, showcasing months of meticulous preparation.

Orr highlights the extensive preparation, beginning in September and culminating in December, blending professional, pre-professional, and student dancers.

“The Nutcracker” has evolved into a Christmas tradition, credited to Tchaikovsky's timeless music. Orr updates the performance to maintain its appeal across generations, eliciting new appreciation from long-time attendees.

Orr's commitment to innovation ensures that audiences, spanning different generations, continually discover fresh elements in the timeless classic.

“The dancers have something to think about,” Orr said. “They're coming out here, and they're working with a new partner. They might have done the same part two days ago, and now they're doing it with another partner. Not that they haven't rehearsed it before together, but it gets mixed up. So when they get into the party scene, there's something interesting happening. It's not the same old, same old party.”